January 29th, 2009–
The best thing that can be said for Martin Campbell’s new thriller of Edge of Darkness is that it’s a gritty and welcome return for the fallen Mel Gibson who stars as Detective John Craven. That’s not a back-handed compliment either. Even before events in his private life shattered his rep, Gibson hadn’t exactly been lighting up the cinema with his onscreen presence. His ability was never in question but his choice of films often felt like paychecks to help finance his own personal directorial visions. He’s a gifted and canny director, but I haven’t really bought one of his performances since 1999’s Payback.
Now, in a variation on that role—add in a heaping helping of Liam Neeson’s grim, determined father from Taken—Gibson comes back to the acting fold with a character that walks the line between justice and vengeance so erratically one feels compelled to check the credits and make sure his name isn’t Max Rockatansky. Continue reading
November 25th, 2009–
American Ninja, where art though? Pray for Death, you have gone…never to return. Even Ninja III: Domination moved away and forgot to write. The over-the-top kill happy martial-arts fantasies of the mid 1980s have all abandoned us, and nothing ever came to take their place. With the exception of a occassional, errant nugget like 1995’s The Hunted (yea, it sucked…surprise) a genre I so loved as a child has all dried up.
Yes, I’m talking about the ninja film. Sure, Japan produced a few half-hearted attempts over the years, including the recent Shinobi:Heart Under Blade, but it had a decidedly wuxia feel to its ninjary (TM), and it played like a feverish video game. Then, hope briefly surfaced in the form of an announcement; the brothers Wachowski were making a big budget ninja film with their acolyte James McTeigue (V for Vendetta) behind the camera and Korean pop star Rain in front of it. Now that it’s here, Ninja Assassin turns out to be one more glittering chunk of fool’s gold. Outside of a killer opening sequence and a rather lively final battle, this one proves a tedious disappointment. Continue reading
Welcome to the Weekly Creepy. The goal is to help expose you the audience to newer horror/thriller films that might have slipped under your radar. Dedicated to obscure, foreign and indie fare (as well as the glorious world of DTV), The Weekly Creepy will tackle a different pic each week, with reasons why it is or isn’t worth your precious time or money.
June 19th, 2009-
Trends come and go in the world of horror filmmaking. Right now, zombies and grotesque torture hold the spotlight. A few years ago it was ghosts and the supernatural. Wait a bit, and it will change all over again. Whats more interesting to me are the mini-trends; when three or four films of a very specific subset get released and they aren’t based off a popular concept(I think back to the “seafood” horrors of the late 80s like Leviathan and Deep Star Six). In 2007, it was killer croc pictures, which mystified me since there have been very few over the years and the most recent, Lake Placid, wasn’t exactly a mega-hit award winner. Continue reading