Richard Kelly’s The Box brings with it some good news and bad news. The good is that it’s about 100% better than his last movie, Southland Tales. The bad is that despite a really solid opening hour or so, it never duplicates the kind of alternate-reality mind trip that Kelly struck paydirt with on Donnie Darko.
I’m just going to link you over to Atomic Popcorn and you can read my more in-depth, and mostly spoiler-free, thoughts over there.
