Monday February 1st, 2010–
Ok, there’s not alot of real news to this one, but thats just fine as it allows more conjecture on our part here. After being ousted from that giant Spidey snafu (which is probably just as well for him), Raimi is a director in the midst of several projects, and he’s been linked up to produce this one over at Paramount since 2007. With a script by Slavash Farahani, it is now being rumored that Raimi himself might direct this latest incarnation of the 1930’s pulp hero. Will this happen before or after World of Warcraft? Continue reading
The Book of Eli (R) 118 min. Directed by: Albert & Allen Hughes Written by: Gary Whitta Starring: Denzel Washington, Gary Oldman, Mila Kunis, Michael Gambon, Jennifer Beals, Ray Stevenson Cinematography: Don Burgess Original Score: Atticus Ross
The apocalypse has never looked better or felt sharper than it does in The Book of Eli, the newest end-of-the-world thriller from the previously MIA Hughes Brothers.
Bearing the brunt of the movie’s gritty but hopeful through line comes Denzel Washington, striding through the ashy, barren wastelands of an America gone to permanent ruin. He’s carrying with him what he believes is the hope of humanity. Unfortunately, the opportunistic despot, Carnegie (played by a deviously bloated Gary Oldman) also desires it, and the rest of the picture develops into the modern American equivalent of a samurai movie. You can cite the western if you want, but Eli’s poise, resolve and code of combat suggest the bushido of a wandering ronin. Throw in brutal but fluid action sequences, an interesting and thought provoking spiritual subtext, and you have the best post-apocalyptic thrill ride since The Road Warrior. Continue reading
Daybreakers (R) 108 min. Written & Directed by: The Spiereg Brothers. Starring: Ethan Hawke, Willem Dafoe, Sam Neill, Isabel Lucas Cinematography: Ben Nott Score: Christopher Gordon
At a Christmas get-together this year, one of my extended family members told me he had seen the site and would probably read it more if I didn’t review so many damn vampire movies. At last inventory, I’ve technically reviewed 2, but one of those was New Moon so I’m not sure it counts. Eitherway, it seemed to be the gore and tedious nature of the genre that had done him in.
The lights turn down, the 3-D glasses go on, and what follows is one of the most basic and honest reasons to go the cinema; pure delight. James Cameron finally unveils his Avatar and it is one of the most entertaining and visually accomplished works of his entire career. This is the pulp sci-fi feast fans thought they were getting some ten years ago when they went walking into The Phantom Menace hoping for magic to strike. When it happens, you can hear the thunder and feel the electricity. This is why I love the movies. Continue reading
There is no getting around it. Roland Emmerich’s 2012 is a spectacularly stupid movie.
Over the course of its 153 minute running time, Yellowstone blows its top, D.C. gets predictably crushed under heavy down-pour of CGI, and most of California just crumbles like a French pastry. In the midst of this eye-smashing gauntlet of global apocalypse, a startling number of gifted actors run about dodging falling Earth shrapnel, choke out hokey lines about mankind’s fall, and work overtime to convince us that this time it really is the end. To top things off, Danny Glover gets to be the second black president to shepherd the human race through an extinction level event. Continue reading
Richard Kelly’s The Box brings with it some good news and bad news. The good is that it’s about 100% better than his last movie, Southland Tales. The bad is that despite a really solid opening hour or so, it never duplicates the kind of alternate-reality mind trip that Kelly struck paydirt with on Donnie Darko.
I’m just going to link you over to Atomic Popcorn and you can read my more in-depth, and mostly spoiler-free, thoughts over there.
Nov. 6th, 2009–
For all those who want to go into The Fourth Kind as fresh as possible, check out my spoiler free review over at Atomic Popcorn. For everyone else, feel free to stick around but know that I’m going to get into some of the more specific details of the film and you might want to clear out. Nothing too spoiler-heavy, but some of whats working or not working in the film is difficult to discuss without revealing elements that the marketing folks have done a reasonable job of hiding.