Richard Kelly’s The Box brings with it some good news and bad news. The good is that it’s about 100% better than his last movie, Southland Tales. The bad is that despite a really solid opening hour or so, it never duplicates the kind of alternate-reality mind trip that Kelly struck paydirt with on Donnie Darko.
I’m just going to link you over to Atomic Popcorn and you can read my more in-depth, and mostly spoiler-free, thoughts over there.
June 25th,2009–
While the current summer pickings might be slim, this year is turning out to be a great one for the return of talented directors. After sitting it out on the bench or doing lackluster work, some of my faves have roared back into the game with really strong entries; Alex Proyas’ Knowing and Kathryn Bigelow’s The Hurt Locker are two of the best movies of the year, Coppola’s Tetro is getting positive reviews, and Mann’s Public Enemies, which I’m seeing tonight, is hotly anticipated. Later this year we are getting new films from Terry Gilliam, Martin Scorsese and James Cameron…and Richard Kelly. Continue reading
