Tag Archives: manga

Now Playing: ‘Blood:The Last Vampire’ is anemic

10 Jul

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Blood: The Last Vampire (R) 91 min. Directed by: Chris Nahon. Written by: Chris Chow.based on characters by: Kenji Kamayama & Katsuya Terada. Starring: Gianna Jun, Allison Miller, Maisela Lusha, JJ Field, Koyuki, Liam Cunningham. Cinematography: Hang-Sang Poon Original Music by: Clint Mansell

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Looking like the bad dream half-breed of the Martial Arts Matinee and the Saturday Creature Feature, Blood: The Last Vampire comes stumbling into theaters this weekend with little of the style or atmosphere of its animated source material. Based off of a 2001 anime of the same name, Blood tells a story that horror fans could recite in their sleep. There’s a race of terrible creatures who hide themselves among the human population, feeding off of them, and in the midst of this secret tribe is a once-human warrior who rejects her monstrous pedigree. Her name is Saya and along with help from the enigmatic Council, she tracks and kills the vampires (she refers to them as either demons or bloodsuckers) wherever she finds them. Existing forever in a perpetual teenage state, Saya is searching for the head vampiress who turned her and murdered her family 400 years ago.

The culprit is Onigen, a female spirit who looks like a Geisha crossed with a pirahna, and who has most recently taken up resident at an American military base in Japan. When dead and not-so-dead bodies start turning up on base, the Council sends Saya in, undercover as a high school student, to destroy the blood suckers. With a plot like that, one could almost expect a silly gonzo comedy, like the upcoming Vampire Girl Vs. Frankenstein Girl or a hard-edged super-hero thriller like the Blade films. Instead, what flops out on screen is a choppy, half-baked fantasy with so little sense or imagination that its only source of comfort is that it is at least three times as good as the overblown Transformers 2. And trust me, that is meager consolation indeed. Continue reading

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Bartleby Abroad: Teen love with a ‘Chainsaw Edge’

1 Jun

 

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Negative Happy Chainsaw Edge isn’t quite the movie the title or the trailer suggests it will be. After witnessing flashy snippets of a young, female warrior doing battle with a hulking behemoth that looks like Andre the Giant wearing a holocaust cloak and lugging a massive chainsaw, I expected we were in for some zany, hyperactive silliness like Machine Girl or Tokyo Gore Police. As it turns out, NHCE isn’t remotely in the same genre as either of those movies; instead, it’s a teenage romantic comedy.

Huh? You mean it’s got a love story shoehorned into the battles with the giant chainsaw man? No, I mean it’s primarily a teen love story with the chainsaw man providing the film’s metaphorical layer and a few choice action scenes. Yea, if John Hughes moved to Japan and replaced the smug, arrogant boyfriend or the unresponsive, overbearing parent with a gigantic reaper wielding a gas-powered weapon for a hand, it would more or less look exactly like Negative Happy Chainsaw Edge.

 

  Young schoolboy Yosuke has been having a rather rough time of things ever since his friend Noto died in a motor-bike accident. Always living in his dead friend’s shadow and staging reckless stunts, Yosuke is just haphazardly cruising through life when he runs into the bewitching but somber Eri. Yosuke knows Eri has issues right off the bat, because her issues try to grind his face off the first time he meets her. See, Eri’s afterschool activities consist of essentially only one thing: dueling with a phantasmal giant with the titular chainsaw attached where his right arm should be. She employs a host of weapons in this crusade, and the giant’s attacks are always telegraphed by an unnatural snow-fall, even indoors. If Eri can withstand the monster’s assault and impale his heart, he flies away and returns, seemingly, to the moon. Yea, the moon.

 Yosuke is obviously a bit daunted by that initially, but he sees it as an opportunity to once again challenge the echoing words of his lost friend, who had a habit of calling him gutless. Eri is brooding and lonely, but she welcomes Yosuke’s presence, even if it is grudgingly at first. And then, the romance begins. What follows isn’t a polished, trite teen romp or a frenzied action pic, racing past the courtship to get to the chainsaw battles. Instead, it’s a light, and occasionally delicate teen drama about dealing with grief, loss and mortality and putting it all in a perspective that still allows one to live with joy. In fact, the chainsaw battles are an integral part of the central courtship. Yosuke and Eri ride around on Yosuke’s bike, get coffee, talk, go to the amusement park and dance around their obvious feelings for each other like any other reluctant teen movie couple. But death lurks at the center of both of their lives, even if it’s haunting Yosuke’s past and dominating Eri’s present. So, every night when Eri goes off to fight Chainsaw Man and Yosuke scurries behind to protect her, it’s really the dark aspects of their individual lives they are confronting.

Sometimes the epic battles aren’t even depicted on screen. We see Eri charging into the fray with a golf club or an umbrella, and then we see the two kids sitting in the aftermath of victory, glancing nervously at one another. It’s a nice touch in a film that plays everything light as a feather. The battles that do appear on screen are visualized with an energetic camera style that isn’t aggressive but rather playful, and the special effects create a world that is just real enough without taking away the manga-esque elements of the action sequences. Best yet, Hayato Ichihara and Megumi Seki have a quirky chemistry with each other; he manages to make bumbling look charming and she gives defensive melancholy a fetching sheen. It’s odd, but it works. And, in his own way, so does the chainsaw man.

 

It’s rather a shame that a lifeless and dull exercise like Twilight is garnering the attention of teenagers while this film, which tackles a similar theme, premise and audience will most likely never be seen by any of the vamp pic’s fans. NHCE is a strange and curious movie, and its success isn’t a massive triumph but rather a small victory. It’s entertaining and engaging and it will likely ensnare even the viewers who come to it expecting something gorier, ghastlier and more twisted. But its real strength and it’s real story will work best for those in their teenage years. Word to whoever might have the power to get this thing an American distribution. If you get it out there on dvd, I will personally promise to recommend it to every teenager I know.