Rated G for some thematic elements (appropriate for all ages)
Run time: 104 minutes Directed by: Elizabeth AllenWritten by: Laurie Craig, Nick Pustav Starring: Joey King, Selena Gomez, John Corbett, Bridget Moynahan, Josh Duhamel, Sandra Oh Continue reading
Morning all. How’s it going? I just put up a review of the new Wolfman and have a few more treats coming up today, including a top ten, a Retro review and The Weekly Creepy. However, in an effort to give you a look see into a few more of the new films opening today, I’m putting up links to my work over at Atomic Popcorn where I take a look at Percy Jackson, Adam Green’s Frozen, and Valentine’s Day. I’ll post a link and the trailers for each below, complete with the matching Cinematropolis rating.
Check them out! Continue reading
The Wolfman (R) 103 min. Directed by: Joe Johnston Written by: Andrew Kevin Walker & David Self Starring: Benicio Del Toro, Anthony Hopkins, Emily Blunt, Hugo Weaving Cinematography: Original Score: Danny Elfman
There is a scene in the new Wolfman where Emily Blunt runs through the foggy night forest, pursued by Del Toro’s slobbering beast. She runs as far as she can, and finds herself balanced precariously at the edge of a treacherous cliff that overlooks a roaring waterfall. Behind her, the monster comes loping and snarling through the underbrush. She has nowhere to go, so she turns pleadingly to face the attacker, her hands concealing the weapon behind her back.
I love moments like this, and the beautifully lush cinematography, Elfman’s shrieking gothic score, as well as Blunt’s wide, staring eyes make it a thing of haunting beauty. When I was a kid, this was the stuff of my dreams and nightmares. In fact, that’s the biggest problem with all of Joe Johnston’s The Wolfman. Less a rendition of the original 1940’s classic and more a high-gloss version of a geeky fan-boy’s interior fantasy life, this Wolf is a total howler. It’s still fun but the odd subtext trumps the dark tragedy of its predecessor. Continue reading
Chaw (NR) Running Time: 121 min. Directed by: Jeong-Won Shin Starring: Tae-Woong Eom, Yoon Jae-Moon, Yu-mi Jeong, Earl Wayne Ording Cinematography: Barry Stone
Before launching into Jeong-Won Shin’s B-movie bonanza Chaw, I believe a word of caution is in order. For those expecting a schlocky horror film like Razorback or possibly a suspenseful creature feature like The Host, temper your expectations now. And for anyone who only observes star ratings, you might want to really read the review before deciding on this one.
Because, on the level, Chaw is an amazingly buffoonish piece of work. Continue reading
Monday 25th, 2009–
Sam and Dean to keep fighting the good fight in Season 6 of Supernatural
In a bit of news that I suspect will make many Supernatural fans happy, it has been reported by a source over at Cinema Spy that CW is planning on renewing the horror-based series that has been one of the networks tent-pole shows in recent years. Despite show creator Eric Kripke stating that he always envisioned the series as lasting five definitive seasons, it appears now that Sam and Dean will continue their battle against evil for at least one more year. As a recently converted fan of the show (my wife and I just finished the fourth season and are anxious to catch up with the fifth), my main question is where will it go from here? Continue reading
The Book of Eli (R) 118 min. Directed by: Albert & Allen Hughes Written by: Gary Whitta Starring: Denzel Washington, Gary Oldman, Mila Kunis, Michael Gambon, Jennifer Beals, Ray Stevenson Cinematography: Don Burgess Original Score: Atticus Ross
The apocalypse has never looked better or felt sharper than it does in The Book of Eli, the newest end-of-the-world thriller from the previously MIA Hughes Brothers.
Bearing the brunt of the movie’s gritty but hopeful through line comes Denzel Washington, striding through the ashy, barren wastelands of an America gone to permanent ruin. He’s carrying with him what he believes is the hope of humanity. Unfortunately, the opportunistic despot, Carnegie (played by a deviously bloated Gary Oldman) also desires it, and the rest of the picture develops into the modern American equivalent of a samurai movie. You can cite the western if you want, but Eli’s poise, resolve and code of combat suggest the bushido of a wandering ronin. Throw in brutal but fluid action sequences, an interesting and thought provoking spiritual subtext, and you have the best post-apocalyptic thrill ride since The Road Warrior. Continue reading
The Lovely Bones (PG-13) 120 min. Directed by: Peter Jackson Written by: Fran Walsh and Philippa Boyens Starring: Saoirse Ronan, Mark Wahlberg, Rachel Weisz, Stanley Tucci, Susan Sarandon Cinematography: Andrew Lesnie Original Score: Brian Eno
Peter Jackson’s The Lovely Bones is a decidedly creepy and insubstantial adaptation of Alice Sebold’s best-selling novel. Recounting the after-life of young Susie Salmon, a 14-yr old Pennsylvania girl who is raped and murdered by a neighbor, Bones is being sold as a kind of bittersweet fantasy with an eye on family tragedy. Beautifully photographed, with a haunting wistful score by Brian Eno, Jackson and company bring all of their technical expertise to bear on the film and attend to its tricky narrative taboos with a delicate hand. The acting is mostly very good, with the centerpiece being a thoughtful and sweet performance by Saoirse Ronan, who seems to have a bright cinematic future ahead of her. And yet, for all of this, The Lovely Bones falls flat on its face. Hard. Continue reading